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Tune in on July 19th for the DoubleClick Announcements Livestream. Watch live as Paul Muret, Vice President of Display, Video Ads and Analytics at Google, shares new product announcements and DoubleClick's vision for the future.

Register and get the link to the livestream in your inbox before the event.

The event will be streamed live on DoubleClick.com on July 19th, 2016 9:00am PT / 12:00pm ET.

Posted by The DoubleClick Marketing Team

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Publisher digitally recreates the experience of reading a glossy print magazine and attracts more brand advertisers with component-based native ad formats.

Aller Media is a leading, Scandinavian publisher that owns a variety of media outlets including KK.no, a landmark fashion and lifestyle magazine. With more of its users on mobile devices, KK.no invested in a responsive website to deliver contextually relevant experiences. But its ads, particularly the custom native formats, didn’t respond to the user's context in the same way as its content.

In late 2015, KK.no partnered with DoubleClick to build fully responsive, component-based native ads. The result: beautiful and seamless user experiences across mobile and desktop, increased ad viewability and greater impact for advertisers.

"With Native Ads on DoubleClick, KK.no saw over 85% growth in ad viewability on mobile without compromising user experiences. They actually love it. It’s a part of how they consume the content on the site."
Kirsti Engedal Alfheim, Head of Ad Operation, Aller Media

Visit DoubleClick.com to learn more and watch the video.

Posted by Nataliya Kozak
Product Marketing Manager, DoubleClick

Danielle Landress
Associate Product Marketing Manager, DoubleClick

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People want great experiences wherever they’re consuming content – on the web, in apps, on every screen. Savvy publishers have responded by building smart, responsive websites and new app interaction models. But improving the content experience alone is not enough. Publishers need to evolve their advertising as well, from boxy banners to flexible and contextually relevant native ads that scale. To help them do that, we’re extending our native ads for apps solution to work across all screens – on the web and in apps – making it easier for publishers to set up, deliver, and measure directly-sold native ads everywhere.

Reducing complexity to scale beautiful native ads across screens

Running native ads across all of a publisher’s digital inventory has, until now, been an operationally complex process requiring hours spent manually coding and compiling individual ad creatives from advertiser-provided assets.

Now, DoubleClick for Publishers supports native creatives that easily scale and adapt to different content layouts on different screens. Instead of providing rigid, pre-defined ad creatives, advertisers can give publishers components that make up their ads – image, headline, copy, etc. Publishers set up a central library of native styles suited to their content and DoubleClick automatically compiles the creative from the components, applying the right style based on where users are consuming content.

These native creatives can run both in traditional banner slots and a new, responsive fluid ad slot in Google Publisher Tag and the Google Mobile Ads SDK. And ActiveView and third-party measurement are fully supported.

Flexing The New York Times’ native advertising strategy

Last year, The New York Times launched “Flex Frames”, a new suite of natively styled ads developed in-house. The goal was to extend innovative storytelling and beautiful user experiences to ads across all of their content platforms.

“We think better designed ads that play off the functionality and user experience of our site will allow us to grow our business.”
-Sebastian Tomich, Senior Vice President of Advertising & Innovation, The New York Times
.

Flex Frames was a hit with users and advertisers alike: CTRs were up 4-5X compared to regular 300x250 in-line units, and advertisers jumped at the chance to take advantage of new in-line video inventory.

Scaling Flex Frames, however, proved challenging. The team was dedicating too many hours to coding and compiling ads for review by advertisers.

The New York Times turned to DoubleClick’s new solution to serve these native ads more efficiently wherever their users may be – in apps, on the web, or even on AMP pages. By overlaying audience data, the team is able to optimize the creative presentation to match the editorial experiences that individual readers respond to the most, delivering compelling user experiences and great results.

“Performance on mobile is surpassing desktop, and that’s a big opportunity. We see our partnership with Google and DoubleClick as the answer to scale and that’s been the biggest challenge for advertisers trying to innovate today,” says Tomich.

The New York Times isn’t the only publisher benefitting from this technology. Today, more than 200 publishers globally, including Aller Media in Norway and Grupo Expansion in Mexico, are using DoubleClick to deliver fully responsive native ads across all their web and app properties.

DoubleClick’s goal has always been to help publishers thrive and deliver great advertising experiences with the least complexity. With our growing investment in native solutions for publishers, we’re excited to power ad experiences that are more engaging and seamless for users everywhere, unlocking brand spend in a way that’s sustainable and scalable.

Learn more about Native Ads on DoubleClick in our Help Center and experience their responsiveness in this interactive demo.

Posted by Tom Bender
Product Manager, DoubleClick

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Over the years, we’ve found that maximizing competition for every impression produces the best results for you. That’s why we’ve developed new Custom and Flexible Ad Size controls in DoubleClick Ad Exchange to bring you even more competition for every impression so you can sell any ad size programmatically.

Maximum demand for all ad sizes

Region-specific ad sizes have always been difficult to monetize programmatically because they typically do not match IAB standard ad sizes. Now with Custom Size controls on DoubleClick Ad Exchange publishers can easily create and sell ads of any size programmatically. For example, in Northern Europe where the 800x250 ad size is popular, publishers can now benefit from the programmatic demand of Ad Exchange with all the controls and reporting they’re familiar with.

In addition to making it easier to implement Custom Sizes, we’re making it possible to increase the demand available to every ad with Flexible Size controls. Publishers can now allow any ad slot to accept bids from multiple ad creative sizes. For example, a custom size slot like 320x300 can now be filled with popular sizes like 300x250 and 250x250 in addition to exact 320x300 matches. Flexible Ad Sizes is now live on all ad slots for publishers globally and publishers can control the range of sizes their slots accept with the Flexible Size rule type.

With Custom and Flexible Ad Size controls publishers globally can sell ads of any size and maximize yield for them with programmatic demand. During testing, we observed a revenue increase across all Ad Exchange inventory with some publishers seeing CPM gains as high as 30% for affected ad slots.

"Custom Ad Sizes has enabled us to move the bulk of our programmatic deal making to DoubleClick Ad Exchange, which has simplified things a lot. The Finnish market is very much dominated by market-specific ad sizes, especially 980x400 and 300x300."
Ville Holopainen, Sr. Operations and Development Manager, Fonecta

Posted by Zutao Zhu
Software Engineer, DoubleClick

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Since its launch in 2008, HTML5 has quickly gained widespread adoption and is now becoming the standard for developing digital creatives. The advertising industry is responding, and increasing numbers of advertisers and agencies are building HTML5 creatives.

If you’re a publisher, this means you’ll want to make your site HTML5-ready and help advertisers get up to speed on developing these new creatives. We know the transition from Flash to HTML5 will require some short-term work on your part, but we’re here to help you and advertisers with the process.

What’s so great about HTML5?

HTML5 has seen high adoption rates for a number of reasons.

One key to its popularity is that HTML5 offers strong cross-device support—the language works well on a variety of browsers and mobile devices. This is hugely important now that more people are searching on mobile devices than on desktops.

HTML5 also plays higher-quality video faster—with an average bandwidth reduction of 35 percent. YouTube notably began defaulting users to its HTML5 player this January.

Browsers have taken note of HTML5’s speed and other benefits and have begun introducing power-saving plugins and reducing support for Flash. To increase page-load times, Chrome recently began auto-pausing Flash content that is not a primary part of a page. Safari had already done this and Firefox blocked Flash from auto-loading in July.

Getting ready for HTML5

With the web moving quickly in the direction of HTML5, here some steps that you, as a publisher, can take to prepare for this transition:

  1. Update your creative specifications: Explicitly include HTML5 as a supported technology and increase associated file-size limits to support large HTML5 creatives.
  2. Educate advertisers: Share the benefits of HTML5 and provide HTML5 creative specifications to your advertisers so they can build creatives that work on your site.
  3. Train your teams: Educate your team about HTML creative specifications and let them know what to do when they receive HTML5 ads from advertisers.
  4. Assist advertisers: Share free HTML5 ad conversion and creation tools with advertisers to ease their transition to HTML5.

All of this and is covered in our new guide to help publishers move to HTML5. If you’re looking for more information as you’re transitioning to HTML5, check out the HTML5 resources and HTML5 Toolkit on the Rich Media Gallery.

Also, our Doubleclick Rich Media team is kicking off an HTML5 Hangout series, where over five weeks we’ll set aside an hour to explore topics ranging from how to QA HTML5 ads to building dynamic creative (See the complete Hangout schedule). The first hangout is on September 10th (3pm - 4pm EST) and will introduce you to HTML5 development tools and best practices. Register here.

We know that change can be hard, so we want to make your move to the future of digital advertising a bit easier.

Posted by Alex Shellhammer
Product Marketing Manager, DoubleClick

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Nearly 60% of smartphone users expect their favorite apps to look visually appealing1. We’ve always believed that in-app ads can enhance an app’s overall experience by being well designed. So today we’re announcing a completely new look for our interstitial in-app ad formats - also known as full-screen ads - that run on apps in the AdMob network and DoubleClick Ad Exchange.

Inspired by Material Design, the new app install interstitial comes with a beautiful cover photo, a round install button, and matching color schemes. Technology called “color extraction” makes the ads more consistent with the brand's look and feel -- we extract a dominant color either from the cover photo or app icon and apply it to the footer and install button. We found that having a greater variety of designs and colors can improve conversion rate.

Other features include the app’s rating, and a screenshot gallery which appears when a user taps ‘More images’, so users can learn more about the app without leaving the ad.

The previous design for our app install ads on the left, and our new version on the right.

Different examples of color matching.

Our app install formats have driven more than a billion downloads across Android and iOS. You can use these new designs automatically when you run a mobile app install campaign on the AdMob network in AdWords. That’s right, no extra work required!

Next, our new text-based ads are easier to read, and contain a larger headline and a round call-to-action button that clicks through to a website.

On the left, the previous text ad interstitial design, and the new version on the right.

As with other ad format innovations, our ads UI team test multiple designs - ten in this case over the course of a year - to find final versions that increase clicks and conversions for advertisers, and a positive experience for users. Both app install and text ad formats appear within the app and can be closed easily, so users can return to what they were doing with a single tap.

As we announced at Google I/O this year, the volume of interstitial impressions has more than doubled across AdMob since last July, so now’s a great time to get your business in front of more app users.

If you’re a developer looking to learn more about earning with in-app interstitial ads in your app, visit AdMob now. These new designs will also be available to developers monetizing their apps with DoubleClick Ad Exchange.

Posted by Pasha Nahass
Product Manager

1. Mobile App Marketing Insights: How Consumers Really Find and Use Your Apps, Google & Ipsos Media CT, May 2015

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Last week at the DoubleClick Leadership Summit, we announced the availability of Native Ads for Apps on our DoubleClick platforms. In this post, we’ll dive into the details of this new ad format and what it means for our clients.

The mobile revolution has changed the way we engage with content. We check our phones literally hundreds of times a day: to catch up with friends and family, read an article, or watch a video while waiting in line. In these moments, we believe ads have the best chance to be effective when they are placed with respect to a user’s context.

Imagine an ad that pops up in the middle of your game; it would be incredibly disruptive. But, one that appears between levels would feel more natural. Or, an ad that blocks your feed as you scroll through; that would be annoying. But, one that’s stitched within the feed would be almost expected. What’s necessary in today’s environment is native advertising—advertising that’s clearly marked and complements the user experience.

Introducing Native Ads on DoubleClick

Native ads fit in with the look and feel of publisher content, enabling better, more effective ad experiences for users. Context is incredibly important on mobile, and that’s why over the next few weeks we’re rolling out our native ad solution for apps to DoubleClick for Publishers clients globally.

Native ads for apps in DFP provides publishers with the full flexibility needed to create seamless ad experiences for their users. Instead of serving a static banner ad, DFP delivers ad components (headline, image, links, etc) to a publisher’s app where they’re rendered into a native ad defined by the developer’s code. By providing the building blocks of an ad, our native solution allows a publisher to create ads that are seamless with content, can take advantage of mobile features like swipe gestures and 3D animation, and can be adjusted to create beautiful ads for any device or screen size.

Setting up native ads for apps in DoubleClick for Publishers is easy. Publishers can choose from two of the most popular mobile formats, app install ads or content ads, or create fully custom native ads by including any additional fields for DFP to send to their app. In addition, publishers using our standard native ad formats can maximize revenue by accessing demand from our native ads beta in DoubleClick Ad Exchange.

Of course, it’s essential that publishers clearly mark native ads as advertising. Ads that trick users into clicking or are indistinguishable from content are bad for the whole ecosystem, including users, advertisers, and publishers.

Native experiences are essential on mobile

When users pick up their phones, it’s critical that they’re presented with a seamless ad experience. With native ads in DFP, publishers can maintain a beautiful user experience in their apps while providing brands an opportunity to reach their audience on mobile. Advertisers should reach out to their publisher partners to find out how they can use native ads to connect with their customers and reach them when they’re most receptive.

To learn more about native ads in DoubleClick, check out our help center or, reach out to your account manager today. Also, visit the mobile solutions section of our website to see how DoubleClick can help you engage your audience on every screen.

Posted by Josh Cohen
Senior Product Manager, DoubleClick

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Laura Desmond, Global CEO at Starcom Mediavest Group, will be keynoting the live stream from the DoubleClick Leadership Summit on June 17th. We caught up with Laura for a quick glimpse of what she’ll be speaking to and what owning the moment means to her. 

Register now to hear her live on June 17 at 9AM ET.

The rate of change is only accelerating, driven by rapid technology advancements and evolving consumer behaviors. FOMO isn’t just for millennials anymore—it’s a pressure our industry feels everyday.

Brands need to shift from mass-market strategies to precision ones that deliver relevancy along with immediacy. Core to delivering is keeping the consumer at the center, understanding them deeply, and delivering experiences that match their pace and purpose. 

Owning the moment requires more than just being “real-time.” Winning now depends on the ability to mix velocity and relevancy, drawing upon data, unification, personalization and agility. 

On Wednesday, I’ll be sharing how against a backdrop of great change, brands can drive impact with velocity marketing. Today’s best marketers are much like the hottest EDM mix artists -- leveraging technology, data, and collaboration to own the moment, deliver relevancy, and spur action. 

Register now to hear more from Laura on Wednesday, June 17th at 9AM ET.

Guest post by Laura Desmond, Global Chief Executive Officer, Starcom Mediavest Group

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A lot of ink has recently poured onto the subject of digital advertising fraud—which is a great thing. Fraud is a real and serious problem, but some, we think, still hold a mental image of fraudsters as one-off bad actors sitting in a dark room racking up clicks on ads on their site to make a few extra bucks. The truth is far more troubling: the majority of ad fraud today is perpetrated by sophisticated organizations that devote vast resources to build and operate large scale botnets run on hijacked devices, to reap multi-million dollar payouts [1,2].

Stopping these bad actors requires an industry-wide, long term commitment to identifying and filtering fake traffic from the ecosystem. This is not a task any one company can take on alone. We need everyone across the industry to take steps toward making digital advertising more secure and transparent. Here are some actions we’re taking to help move the entire industry forward. (We hope others join us.)

Describing threats in common, precise language
Many of the statistics and headline-grabbing disclosures in the market today do a great job of creating panic, but share very little detail to help anyone actually solve the problem.

Imagine if police officers looking for a bank robber could only describe the criminal as “suspicious”. The robber would be free for life. And yet this is disappointingly how advertising fraud is policed today. “Fraud” and “suspicious” are seen as synonymous and applied to everything from completely legitimate ad impressions to fake traffic generated by zombie PCs infected with malware. Before we can stop advertising fraud, everyone needs to start using common, precise language to disclose fraudulent activity.

The IAB introduced its Anti-Fraud Principles and Proposed Taxonomy last September providing the industry with this common language and we strongly support these standards. But these are early steps – as an industry we can’t stop there. When fraud is identified it should be shared in a clear structured threat disclosure, mirroring how security researchers release security vulnerabilities. By increasing the amount of data we share in a transparent, helpful way, others in the industry will be able to corroborate any claims being made, remove the threat from their systems, removing it from the ecosystem. Further, if a public disclosure could lead to further damage, then vulnerable parties should be notified in advance.

Ensuring bad actors can't hide: Supplier Identifiers
If you bought a designer scarf in a store only to find out it’s a knock-off with a fake label, you’d expect a refund. You’d also know which store to avoid in the future. The same should hold true for fraudulent inventory. When fraud is identified, it should also be possible to identify the seller or reseller who should take responsibility for the inventory. 

Today this doesn’t hold true. As an illustration of the problem, we are currently finding significant volumes of inventory misrepresenting where the ads will actually appear and in many instances there is no reliable and verifiable mechanism to identify who in the supply chain is responsible for this misrepresented inventory.
To address this problem, we propose that the buyer of any branded (non-blind) impression should be passed a chain of unique supplier identifiers, one for each and every reseller (exchange, network, sell-side platform) and one for the publisher. With this full chain of identifiers for each impression, buyers can establish which supply paths for inventory can be trusted and which cannot. If a buyer finds a potential issue, and it’s clear where the problem lies in the supply path, then there should be an unambiguous process for refunds. It will also be easy to avoid this supply path in the future.

Ultimately the burden for ensuring the quality of online inventory starts with those who sell it. To this end, we submitted a proposal to create an industry managed supplier identifier to the IAB Anti-Fraud Working Group in February, and we’ve heard others in the industry support this call for more transparency. We've come to take this type of guarantee for granted when we shop in a store – let's work together and make it a standard for digital advertising as well.

Cleaning up campaign metrics
Before investing your hard-earned money in a local business, you’d definitely review their financial reports to understand if it’s a good investment or not. In digital, campaign metrics are the record of truth. They help advertisers evaluate which inventory sources provide the greatest value and outline a roadmap of where ad spend should be invested. But if these metrics are polluted with fake and fraudulent activity, it’s impossible to know which inventory sources provide the best return on spend.

Now, imagine if you invested in that small business only to find out it was actually a fictional front created by an organized crime ring, complete with receipts and a cashier, to cover up their back office money laundering operation. Fraudsters work hard to disguise their bot traffic as being human by having them do things like go window shopping or plan a vacation to create a whole world of made-up conversions and interactions before directing them to their final destination.

As long as fake traffic still appears to be delivering value, advertisers’ spend will continue flowing to the operators of fake traffic sources. Of course our industry should push for 100% fraud free ecosystem. The reality, though, is that some will likely always slip through. When it does, it's also our responsibility to keep it from skewing marketers' metrics. If we can keep reporting systems from giving credit to fake traffic, this removes the incentive for publishers to buy this bad traffic from bad actors.

As an industry, we owe it to our clients and ourselves to ensure that metrics are clean and accurate. Let’s work together to identify fraudulent traffic and invest in systems to filter it out of campaign metrics. 

A fraud-free ecosystem?
Advertising fraud is a real and serious problem, one that creates significant costs for advertisers, takes revenue from legitimate publishers, and enables the spread of malware to users, among other harms. To eliminate it, we must take action to remove the incentive for bad actors to create and sell fraudulent traffic. The steps I’ve outlined above seek to do this by cutting off their access to advertising spend and making it difficult for fraudsters to hide.

Over the coming months, we’ll be taking these steps and working with the industry to help others clean bad traffic from the ecosystem. 

Posted by Vegard Johnsen, Product Manager Google Ad Traffic Quality

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Since 2008 we’ve been working to make sure all of our services use strong HTTPS encryption by default. That means people using products like Search, Gmail, YouTube, and Drive will automatically have an encrypted connection to Google. In addition to providing a secure connection on our own products, we’ve been big proponents of the idea of “HTTPS Everywhere,” encouraging webmasters to prevent and fix security breaches on their sites, and using HTTPS as a signal in our search ranking algorithm.

This year, we’re working to bring this “HTTPS Everywhere” mission to our ads products as well, to support all of our advertiser and publisher partners. Here are some of the specific initiatives we’re working on:
  • We’ve moved all YouTube ads to HTTPS as of the end of 2014.
  • Search on Google.com is already encrypted for a vast majority of users and we are working towards encrypting search ads across our systems. 
  • By June 30, 2015, the vast majority of mobile, video, and desktop display ads served to the Google Display Network, AdMob, and DoubleClick publishers will be encrypted.
  • Also by June 30, 2015, advertisers using any of our buying platforms, including AdWords and DoubleClick, will be able to serve HTTPS-encrypted display ads to all HTTPS-enabled inventory. 

Of course we’re not alone in this goal. By encrypting ads, the advertising industry can help make the internet a little safer for all users. Recently, the Interactive Advertising Bureau (IAB) published a call to action to adopt HTTPS ads, and many industry players are also working to meet HTTPS requirements. We’re big supporters of these industry-wide efforts to make HTTPS everywhere a reality.

Our HTTPS Everywhere ads initiatives will join some of our other efforts to provide a great ads experience online for our users, like “Why this Ad?”, “Mute This Ad” and TrueView skippable ads. With these security changes to our ads systems, we’re one step closer to ensuring users everywhere are safe and secure every time they choose to watch a video, map out a trip in a new city, or open their favorite app.

Neal Mohan, VP Product Management, Display and Video Ads
Jerry Dischler, VP Product Management, AdWords


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Cross-posted from the Google Online Security Blog

It’s pretty tough to read the New York Times under these circumstances:

And it’s pretty unpleasant to shop for a Nexus 6 on a search results page that looks like this:

The browsers in the screenshots above have been infected with ‘ad injectors’. Ad injectors are programs that insert new ads, or replace existing ones, into the pages you visit while browsing the web. We’ve received more than 100,000 complaints from Chrome users about ad injection since the beginning of 2015—more than network errors, performance problems, or any other issue.

Injectors are yet another symptom of “unwanted software”—programs that are deceptive, difficult to remove, secretly bundled with other downloads, and have other bad qualities. We’ve made several recent announcements about our work to fight unwanted software via Safe Browsing, and now we’re sharing some updates on our efforts to protect you from injectors as well.

Unwanted ad injectors: disliked by users, advertisers, and publishers

Unwanted ad injectors aren’t part of a healthy ads ecosystem. They’re part of an environment where bad practices hurt users, advertisers, and publishers alike.

People don’t like ad injectors for several reasons: not only are they intrusive, but people are often tricked into installing ad injectors in the first place, via deceptive advertising, or software “bundles.” Ad injection can also be a security risk, as the recent “Superfish” incident showed.

But, ad injectors are problematic for advertisers and publishers as well. Advertisers often don’t know their ads are being injected, which means they don’t have any idea where their ads are running. Publishers, meanwhile, aren’t being compensated for these ads, and more importantly, they unknowingly may be putting their visitors in harm’s way, via spam or malware in the injected ads.

How Google fights unwanted ad injectors

We have a variety of policies that either limit or entirely prohibit, ad injectors.

In Chrome, any extension hosted in the Chrome Web Store must comply with the Developer Program Policies. These require that extensions have a narrow and easy-to-understand purpose. We don’t ban injectors altogether—if they want to, people can still choose to install injectors that clearly disclose what they do—but injectors that sneak ads into a user’s browser would certainly violate our policies. We show people familiar red warnings when they are about to download software that is deceptive, or doesn’t use the right APIs to interact with browsers.
On the ads side, AdWords advertisers with software downloads hosted on their site, or linked to from their site, must comply with our Unwanted Software Policy. Additionally, both Google Platforms program policies and the DoubleClick Ad Exchange (AdX) Seller Program Guidelines, don’t allow programs that overlay ad space on a given site without permission of the site owner.

To increase awareness about ad injectors and the scale of this issue, we’ll be releasing new research on May 1 that examines the ad injector ecosystem in depth. The study, conducted with researchers at University of California Berkeley, drew conclusions from more than 100 million pageviews of Google sites across Chrome, Firefox, and Internet Explorer on various operating systems, globally. It’s not a pretty picture. Here’s a sample of the findings:
  • Ad injectors were detected on all operating systems (Mac and Windows), and web browsers (Chrome, Firefox, IE) that were included in our test.
  • More than 5% of people visiting Google sites have at least one ad injector installed. Within that group, half have at least two injectors installed, nearly one-third have at least four installed.
  • Thirty-four percent of Chrome extensions injecting ads were classified as outright malware.
  • Researchers found 192 deceptive Chrome extensions that affected 14 million users; these have since been disabled. Google now uses the techniques we used to catch these extensions to scan all new and updated extensions.
We’re constantly working to improve our product policies to protect people online. We encourage others to do the same. We’re committed to continuing to improve this experience for Google and the web as a whole.

Posted by Nav Jagpal, Software Engineer, Safe Browsing

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DoubleClick for Publishers experienced an outage this morning impacting publishers globally, across their video, display, native and mobile formats. Our team has worked quickly to fix the software bug and it's now back up and running, so our publisher partners can return to funding their content.


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Native advertising is a becoming a dominant force in the online 
advertising industry and at DoubleClick, we’re building tools to power publishers’ native solutions. Today, we’re shining a light on BuzzFeed, who is using DFP to succeed in this space. 

BuzzFeed is a leading social news and entertainment company whose popular website curates viral and shareable online content to over 100 million unique monthly users worldwide. Their mantra is “great advertising is content” and they’ve applied this across their entire monetization strategy. Eric Harris, BuzzFeed’s Executive Vice President of Business Operations explains that the site exclusively uses ‘social advertising’, a form of native advertising, to ‘communicate the aspirations and attributes of the brands we’re working with...and promote it on our site in a way that’s clearly marked as advertising, but similar to how we promote our other content.” Scaling this burgeoning format to a large user base is no small feat. So, we caught up with Eric to learn how DFP is helping BuzzFeed execute against this strategy.

Scaling for success

BuzzFeed needed a customized and robust infrastructure that could keep up with its growth and reliably serve ads across different platforms. The team turned to DFP for it’s scalability, enabling them to “focus on what we do best, and giving us the credibility that comes with working with the industry leader.” Using DFP for ad serving and inventory management has been critical for BuzzFeed’s success. “We haven’t had to worry about anything with DFP – it just works.” Eric emphasizes.

Integrating the best of BuzzFeed with DFP
In addition to ad serving, BuzzFeed leverages the openness and flexibility of the DFP API to integrate its proprietary technologies- which help determine the content to promote- with DFP’s ad targeting and delivering capabilities to serve the ads.

When it comes to tracking, DFP also enables BuzzFeed to accurately measure its social advertising: “The fact that DFP easily integrates with other third-party tracking solutions and our custom analytics – with low discrepancies – is a big benefit for us,” says Eric.

Taking engagement cross-device
Moreover, with over half of its traffic (and growing) coming from mobile devices, BuzzFeed deeply values the ability to work fluidly and consistently across platforms with DFP. “It is hugely important for us that we can work with just one vendor – DoubleClick – to serve ads seamlessly across desktop, mobile web and mobile apps,” notes Eric.

Powering long-term growth
As it examines the future of its native advertising program, BuzzFeed has three clear goals: leadership in social, content-driven advertising, continued growth in mobile, and international expansion. Eric notes, “with the flexibility, scale and robust infrastructure that it offers, DFP plays an important role in all three of these goals.”

To get the full scoop on BuzzFeed’s success with native advertising, download the full customer story here. Stay tuned to the DoubleClick for Publishers blog for even more customer success stories.

Posted by Jane Brinkley, Product Marketing Manager

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A few months ago, we kicked off the Video in the Future content series featuring speakers like AOL’s Ran Harnevo, Meredith’s Liz Schimel, NewsCorp’s Rahul Chopra and AMC’s Kirk Linden, among others.

The next edition in this series will be from Australia, as we’ll speak with Adam Good, Director of Digital Media & Content, at Telstra.

From Telstra’s long history as a telco to now, a media empire - how is the company creating, promoting and monetizing digital video content to engage its audience? Adam will speak about Telstra’s digital video strategy in a conversation with Jason Pellegrino, Sales Director for Google Australia and New Zealand.

Join us live on September 24, 10:30AM Sydney time. RSVP here.

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Today, we’re thrilled to announce the launch of DoubleClick Studio Layouts, a rich media production tool that makes it easier to build and publish rich media and HTML5 ads.

Rich media formats are becoming a mainstay for brand advertisers, who are expected to increase their rich media spend by ~150% over the next four years.* Rich media’s continued growth is due in large part to it’s ability to help brands bring their stories to life online. (Check out our recent iMedia article for examples of great digital storytelling.) But although rich media ads are recognized as a critical vehicle for digital advertising, the tools to produce these ads are still too complex and time-consuming. The insurgence of mobile advertising and HTML5 has only made the process even more complicated. In fact, ad production can consume up to 80% of a creative agency’s time, leaving only 20% for the strategic, innovative thinking.

We want to invert that statistic.

With today’s launch, you no longer have to toil through the hand-coding of a long tear sheet, or undergo multiple creative revisions for a simple ad. Studio Layouts provides a pre-built rich media ad shell, so you can simply select a layout, upload your existing assets and publish. You can even build HTML5 ads using the same basic assets. Because the structure of the ad is already created for you, there are fewer places for the creative to break, meaning your ads can get through QA with few to zero revisions. With Studio Layouts, you can build rich media and HTML5 ads much faster, reach more people with your existing assets and upgrade your basic image ads to rich media. Let’s see how these benefits came to life with Samsung Turkey for their recent Galaxy S4 campaign. (Full case study here.)

Efficiency: Build rich media and HTML5 ads faster
Samsung Turkey launched a rich media campaign in 90% less time than they could have before Layouts. They built a three-video GDN lightbox ad in 15 minutes and completed quality assurance in three hours with no revisions. Not only was the turn-around time greatly reduced, but the campaign was also successful in driving consumer engagement. In one month, 20 million impressions were served to 2.4 million unique users, with an engagement rate of 2.73%. More than 60,000 viewers watched the videos through to the end, and the cost per engagement was low, at less than 10 cents US.


Samsung’s GDN lightbox unit begins as a 300x250, and expands when a user hovers over the ad for two seconds. The expanded state can accommodate three YouTube videos.


Reach: Get more mileage out of existing assets
Samsung was able to take their YouTube videos and quickly turn them into a rich media ad, syndicating their existing content across the internet. They could also take those same assets, plug them into an HTML5 layout and reach people on mobile and tablet devices as well, without having to code a thing.

Performance: Upgrade standard flash and image ads to rich media
Finally, by using rich media to distribute their videos, Samsung gained access to rich media metrics, such as interaction and video completion rates. “The campaign data showed that we were reaching the right customer at the right place and at the right time,” says Seda Gumustas, digital marketing manager for Samsung Turkey. This data gives advertisers the ability to understand how users are engaging with their brands and gauge success of their campaigns in ways not possible before.

What’s Launching today?
Today, we’re launching Studio Layouts to the public, and we’ll continue to roll out new Layouts formats and features over the next six months. In the coming weeks, we’ll be launching Layouts for the IAB Rising Star formats Cascade, Billboard, and Sidekick, as well as an HTML5 GDN Lightbox format.

If you are already a DoubleClick Studio user, you’ll notice the new Layouts tab in the top green navigation bar of the UI. There you’ll find the Layouts Gallery with descriptions for how to begin using the tool.


To learn more about Studio Layouts, visit our landing page on the Rich Media Gallery.

Posted by Tal Snir, Product Manager, DoubleClick Rich Media and Video

*eMarketer, “US Ad Spending: Mid-2013 Forecast and Comparative Estimates”, July 31, 2013